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zsuzsi@bodyecology.com.Au's avatar

I remember my first major teaching stint, in a classroom of mature aged students in the early 90s: a group of student teachers who’d chosen a drama elective I called ‘perspectives on movement’. Yes, Po-mo was part of the course. What is the self, a character, when self and character are composites of movements and flows? It was a wildly experimental time: students brought in saxophones, traffic cones, Chinese streamers… and themselves. I felt like a wild pony leading the group. We were all roughly the same age…. . There was ( oh, rare joy!) no disengaged bodies in the room. One of the most startling realisations was when I dutifully compiled my notes on typed pages and presented them as a handout. To a person, the class was bewildered and dismayed. They chorused: ‘Bit this isn’t what we’ve learnt!!’ The trajectory of each persons learning was unique, and couldn’t be summarised.

Falling water forming unique streams..

I feel lucky to have had this experience— the teacher’s learning— so early in my teaching career..

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Steve Shann's avatar

Nice Zsuzsi. Falling water forming unique streams. In the flow, connected and nudged in often invisible ways

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